Showing 9 of 17 Publications in Music Industry

ICLE STATEMENT TO USTR on the 2019 GSP REVIEW of South Africa

Regulatory Comments We submit this statement in support of IIPA’s petition to review South Africa’s GSP eligibility in light of South Africa’s failure to provide “adequate and . . .

We submit this statement in support of IIPA’s petition to review South Africa’s GSP eligibility in light of South Africa’s failure to provide “adequate and effective protection” to intellectual property as required by the GSP statute and, in particular, profound concerns with draft legislation that will, if enacted, further erode the protection of intellectual property in South Africa for U.S. and South African creators alike.

While we support IIPA’s petition, we note at the outset our reluctance to take such a position: We believe that trade sanctions are harmful to the country imposing them (and on which they are imposed, of course), and, as far as possible, should be avoided. Both the U.S. and South Africa benefit from the GSP that currently affords South African producers unilateral, tariff-free access to U.S. markets for some goods. As such, we caution that the USTR should withdraw South Africa’s GSP designation only as a last resort.

But we also believe that both the United States and South Africa share a strong interest in sustaining creators through adequate and effective protection of intellectual property, thereby promoting economic development and the production of culturally diverse materials. And, unfortunately, removal of GSP is one of the few tools available to the U.S. to protect the interests of U.S. creators of intellectual property in global markets. The USTR is legally obliged to faithfully discharge its congressional mandate by taking action to defend U.S. intellectual property in accordance with various trade laws, including by ensuring that GSP beneficiary countries provide adequate and effective protection within the meaning of the statute.

In submitting this statement, we are mindful that South Africa’s President has not yet signed into law the Bills that motivated the IIPA’s petition. If he does so, South Africa would fail to meet the conditions for GSP eligibility and USTR will be obliged to revoke all or some of its GSP benefits. We note, however, that numerous local actors have voiced concerns regarding the constitutionality of the proposed legislation and the harm that it will to do to the community of creators in South Africa. It is possible that President Ramaphosa will heed these concerns, reject the draft legislation and send it back to Parliament for reconsideration, with directions to adapt or remove its numerous provisions that conflict with South Africa’s Constitution and the country’s international treaty obligations. So doing could result in a text more consistent with South Africa’s (and the U.S.’s) cultural and economic interests. Most importantly from the perspective of this submission, by rejecting the draft legislation President Ramaphosa would at the very least defer any action on the part of USTR to revoke South Africa’s GSP eligibility.

In short, we argue that:

  • Protection of intellectual property both in the U.S. and in South Africa is mutually beneficial;
  • Duty-free imports from South Africa to the U.S. benefit the citizens of both countries, and those citizens will suffer as a result of the partial or full withdrawal of GSP benefits from South Africa;
  • GSP withdrawal is nonetheless required if South Africa does not adequately and effectively protect U.S. intellectual property;
  • South Africa’s copyright laws currently do not effectively protect the rights of artists; and
  • Two Bills recently passed by South Africa’s Parliament, and championed by U.S.-based evangelists of “fair use,” would further weaken the effectiveness of copyright protection.

                    

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Intellectual Property & Licensing

A Regulatory Failure of Imagination

TOTM The music licensing market is stuck in a paradigm from the early twentieth century thanks to the DOJ's PRO consent decrees. Its time to terminate the decrees and let the markets discover better solution for music licensing.

Underpinning many policy disputes is a frequently rehearsed conflict of visions: Should we experiment with policies that are likely to lead to superior, but unknown, solutions, or should we should stick to well-worn policies, regardless of how poorly they fit current circumstances?

Read the full piece here.

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Intellectual Property & Licensing

A Supreme Court ruling against Aereo won’t spell the end of cloud computing

TOTM Interested observers on all sides of the contentious debate over Aereo have focused a great deal on the implications for cloud computing if the Supreme . . .

Interested observers on all sides of the contentious debate over Aereo have focused a great deal on the implications for cloud computing if the Supreme Court rules against Aereo. The Court hears oral argument next week, and the cloud computing issue is sure to make an appearance.

Read the full piece here.

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Intellectual Property & Licensing

Tim Wu on Section 5 Guidelines Would Make the FTC Stronger and Better

TOTM I personally believe that a policy statement on Section 5 would be a very good thing for the Federal Trade Commission, especially over the long . . .

I personally believe that a policy statement on Section 5 would be a very good thing for the Federal Trade Commission, especially over the long run.  I think it would strengthen the agency, renew its distinct sense of purpose, and clarify the jobs of the attorneys who enforce the competition laws on a day-to-day basis.  And so, while there is some possibility that Josh Wright & I may disagree on aspects of substance, on the principle of having a policy statement, we agree entirely.

Read the full piece here.

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Antitrust & Consumer Protection

Stan Liebowitz on Piracy and Music Sales

Popular Media Stan Liebowitz (UT-Dallas) offers a characteristically thoughtful and provocative op-ed in the WSJ today commenting on SOPA and the Protect IP Act.  Here’s an excerpt: . . .

Stan Liebowitz (UT-Dallas) offers a characteristically thoughtful and provocative op-ed in the WSJ today commenting on SOPA and the Protect IP Act.  Here’s an excerpt:

You may have noticed last Wednesday’s blackout of Wikipedia or Google’s strange blindfolded-logo screen. These were attempts to kill the Protect IP Act and the Stop Online Piracy Act, proposed legislation intended to hinder piracy and counterfeiting. The laws now before Congress may not be perfect, and they can still be amended. But to do nothing and stay with the status quo is to keep our creative industries at risk by failing to enforce their property rights.

Critics of these proposed laws claim that they are unnecessary and will lead to frivolous claims, reduce innovation and stifle free speech. Those are gross exaggerations. The same critics have been making these claims about every previous attempt to rein in piracy, including the Digital Millennium Copyright Act that was called a draconian antipiracy measure at the time of its passage in 1998. As we all know, the DMCA did not kill the Internet, or even do any noticeable damage to freedom—or to pirates.

Scads of Internet pundits and bloggers have vehemently argued that piracy is really a sales-promoting activity—because it gives people a free sample that might lead to a purchase—or that any piracy problems have been due to a failure of industry to embrace the Internet. Yet these claims are little more than wishful thinking. Some reflect a hostility to commercial activities—think Occupy Wall Street, or self-interest. Others make “freedom” claims on behalf of sites that profit by helping individuals find pirate sites, makers of complementary hardware, or companies that benefit from Internet usage and collect revenues whether the material being accessed was legally obtained or not.

In my examination of peer-reviewed studies, the great majority have results that conform to common sense: Piracy harms copyright owners. I was also somewhat surprised to discover that the typical finding of such academic studies was that the entire enormous decline that has occurred is due to piracy.

Contrary to an often-repeated myth, providing consumers with convenient downloads at reasonable prices, as iTunes did, does not appear to have ameliorated piracy at all. The sales decline after iTunes exploded on the scene was about the same as the decline before iTunes existed. Apparently it really is difficult to compete with free. Is that really such a surprise?

Do check out the whole thing.

 

 

Filed under: business, copyright, economics, intellectual property, music, technology

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Financial Regulation & Corporate Governance

Some Economics of Contractual Restrictions on Political Contributions by Cable Pundits

TOTM Jonathan Adler and Orin Kerr chime in over at VC to make the point that MSNBC’s rules against contributions from television personalities is pointless, or . . .

Jonathan Adler and Orin Kerr chime in over at VC to make the point that MSNBC’s rules against contributions from television personalities is pointless, or perhaps counterproductive.  Here’s Adler…

Read the full piece here

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Lollapalooza and Antitrust

TOTM Apparently, the Illinois Attorney General is investigating Lollapalooza for potential antitrust violations arising out of exclusivity clauses that the concert promoter includes in the contracts . . .

Apparently, the Illinois Attorney General is investigating Lollapalooza for potential antitrust violations arising out of exclusivity clauses that the concert promoter includes in the contracts signed with artists who play the show.

Read the full piece here

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Antitrust & Consumer Protection

Will the FTC Sue Apple?

TOTM I don’t know.  But apparently, industry analysts preliminarily think not.   I tend to disagree.  At least, I think its far too early to be . . .

I don’t know.  But apparently, industry analysts preliminarily think not.   I tend to disagree.  At least, I think its far too early to be confident in either direction. Press reports, such as this one,  are primarily relying on the report of an analyst who correctly points out that Apple’s market share would be an obstacle for a case against Apple…

Read the full piece here

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Antitrust & Consumer Protection

The Oberholzer-Gee/Strumpf File-Sharing Instrument Fails the Laugh Test

Scholarship Abstract I examine the key instrument (German kids on vacation) used by Professors Oberholzer-Gee and Strumpf in their analysis of the impact of file-sharing on . . .

Abstract

I examine the key instrument (German kids on vacation) used by Professors Oberholzer-Gee and Strumpf in their analysis of the impact of file-sharing on record sales, published as the lead article in the Feb 2007 JPE. Their measured relationship between the instrument (German students on vacation) and the variable that it is instrumenting for, American downloading, is seen to have outlandish implications in the often overlooked first stage regressions. The coefficient implies that if German secondary students all go to school, American file-sharing would drop to zero. A nonsensical result of this sort indicates an important error somewhere in their data or analysis. The instrument is also shown to be related to American record sales, contrary to the claims of Professors Oberholzer-Gee and Strumpf, and contrary to the requirements of their analysis. Further, their measurement of downloading varies wildly from week to week and is inconsistent with downloading data from Big Champagne. In addition, their data on file-sharing, which Professors Oberholzer-Gee and Strumpf state is representative of worldwide file-sharing, is actually biased according to some of their own statistics which they failed to examine, considerably overstating the share of German files. Finally, I demonstrate that German students on vacation cannot have a measurable impact on American downloading (and thus American record sales) negating its potential usefulness and implying that the approach taken by Professors Oberholzer-Gee and Strumpf could never have provided useful information about the impact of file-sharing on record sales.

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Intellectual Property & Licensing